Then, once the preset is selected, and the Guide and Dub are hooked up, it is mostly a case of tweaking the Match Timing and Match Pitch knobs to achieve the required tightness. The GUI is relatively unfussy, free of endless options and spurious controls. ![]() Both methods are quick to set up, but the algorithm dictates how much faster and better this semi-automated approach to vocal stack editing is. It only needs to be redone if audio events are moved or edited in the DAW. VocAlign can build up a patchwork across the timeline as you work on sections. The plug-in then needs to be played the Guide and Dub parts in real time to gather the necessary data, though you needn’t do this in one long stripe. The near-ubiquity of the sidechain function makes this approach possible across almost all DAWs. The second method has the user place the VocAlign plug-in on the Dub track and select the Guide track as the sidechain input. ![]() ![]() Pro Tools has a similarly slick AudioSuite implementation that doesn’t need you to play audio into the plug-in, either, which can make processing extremely fast.
0 Comments
Leave a Reply. |